RUN, BABY, RUN
I started seriously about 9 months ago. And it has been a wonderful addition to my life. I used to run a lot when I was a kid, it was a way to get rid of all the extra sugar and energy from my body. Now I run because it makes me feel emotionally and physically wonderful (I know that sounds weird to most people). The most difficult part about running is the first mile (first 8 minutes); it's just a struggle to get your body moving and to find the right pace at that particular time. But after that first mile, something inside me takes over, all the seratonin in my body is triggered. And I feel a lot of wonderful sensations, I feel like I'm in a rave dancing to my own beat and rhythm. It is really like a religious experience. This narcotic somehow taps into my body and I get to experience my body and mind melt into one, and I see myself confronting both the mind and the body. No one can take this away from me. This isolation. This confrontation. This battle. It's a wonderful thing to experience, and I wish more of my friends could feel this delight. And I think they can, they just have to discipline their bodies and work at it. But everyone is too lazy..., to try new things, to battle gravity, and to do all of that stuff.
PROGRESS REPORT: BOOK 2
I have a vision for my next book. Two characters from two generations, battling themselves to obtain a truth that may lead to their own death. They are in a race against time, the present, the future, and the past. The characters develop...
1. THE FATHER - learns that he is going to be a father. the teacher is hunted by the secret police. he has a secret he can't escape.
2. THE SON - learns that his real father was murdered 20 years ago. the writer wants to confront the past. he has an anger that gnaws at his soul.
3. THE WIFE/THE MOTHER - just wants to forget. the housewife who wants bury the past. she has a heart that has no memory.
4. THE PROSTITUTE - learns that she is pregnant for the third time. the girl lives on optimism. she has a spirit that crashes like waves.
5. THE SENATOR - haunted by a treason. the man has buried the past, but it keeps rising from the dead.
6. THE STREET KID - discovers a secret. the boy who wants to be a man, has to choose between a dream or a nightmare.
7. THE MUSLIM - learns that he is the chosen one. the one to wreck havoc on humanity is in love.
The plot thickens. future = past = present. loneliness, heartbreak, perseverance, hope, love, desperation. we see their streams of consciousness. if it echoes in water then we can hear it. this story is about how the past and future binds with the present. There is conflict when our memories choose not to remember or dream about anything. What are the things that bind these characters to one another? Why should we care about these characters? How can we not get lost in the story when it is written in streams of consciousness and poetic narrative? Who am I fighting? Where am I going with this? How does this all relate to meaning of life?
The story starts in the past. follows the narrative structure of Ulysses (James Joyce) / Odysseus [the odyssey] (Homer). Since that is the structure of the story this is how it kinda fits:
CHAPTER 1: EMBRYO (Telemachia) ==> The father learns that he is having a son. We experience his streams of consciousness by being exposed to the five sense of experience. [x] hearing - he hears the tone of voice of his wife when she tells him that she is pregnant. [x] sight - he notices the bulge on her stomach. [x] taste - he kisses her, and he notices that she tastes different. [x] touch - he touches her stomach and feels his warmth. [x] smell - he starts to smell her body change. milk, rapture, theology, clean, fresh, white.
CHAPTER 2: SCHOOL DAYS (Nestor) ==> The son is in high school. and he discovers poetry. he falls in love for the first time, and he is convinced that there is some truth in that emotion, and thus focuses his life on that philosophical attachment of love. he meditates. he is sensing something is missing in his life. he is aware of everyone else around him, but he doesn't feel like anyone is aware of him. he is experiences Thanksgiving with his new family, and feels very much isolated and different, but he can't pinpoint why... catechism. growth. history, memory, oedipal complex.
CHAPTER 3: REPENTANCE (Calypso) ==> The prostitute is being interviewed in a free clinic. She is waiting for her pregnancy test to come back. She sees a crucifix and focuses on that. She recalls all her horrible sexual experiences with men. Yet she daydreams about falling in love and having sex with the image of Jesus nailed to the cross. religion, nymph, remembrance, the body, orange, genitals
CHAPTER 4: REJECTION (Lotuseaters) ==> The street kid (6 years old) is abandoned by his father in the middle of a Manila. he is forced to be a street kid. selling gum, selling his body, selling everything he can steal to make it. he meets a group of street kids that have turned into a gang, and they harass shop owners in the shopping districts. streetkids, brotherhood, rejection, narcissim, heart,
CHAPTER 5: GRAVEYARD (Hades) ==> the senator stands on disrespectfully on top of a gravestone. He is remembering the past, and forgetting the future and the present. There is feat in his eyes. incubism, black, clusterphobia, sins, resurrection, anger.
CHAPTER 6: THE AIRPLANE (Eolus) ==> The son is on an airplane toward the Philippines. He meets a stewardess. He tries to piece things together. He tries to find reasons and sense when everything he is given doesn't make sense. There is frustration, confusion, and isolation. He feels like a stranger going to a strange land. mystery, travel, red, floating island, imagination, prospects.
CHAPTER 7: BREAKDOWN (Lestrygonians) ==> A pious young muslim has his name drawn to be the candidate to bomb a shopping market in the central district. He is given a prayer, and a bomb. He is given some money for a motel room. While he is doing his afternoon prayer, someone knocks on his door. It is the prostitute, she accidentally goes to the wrong room. teeth, vigor, ivory, green, architecture, literature.
CHAPTER 8: INFERNO (Scylia and Carybdis) ==> the father goes to the school where he teaches only to find his school burning. His students grab take him aside and tell him that the secret police is looking for him. There are gunshots and bombs exploding in the school compound. The students hide him and try to help him find his escape. He is discovered by a traitor, and he is captured after a long chase. dialectic, running, stealth, fear, speed, confusion. the street kid opens up the briefcase and discovers...
CHAPTER 9: WANDERING (The rocks) ==> The street kid is lost within the shuffle of feet, and a rival gang is chasing after him. He manages to escape into an old abandoned shanty house. he discovers an escape hatch which leads to the sanitation dump underneath the house, he dives in. he finds a briefcase...
CHAPTER 10: TEMPTATION (Sirens) ==> The son arrives in Manila and quickly gets lost amidst the tourist traps. he meets some girls in a bar, and invites them to his hotel room. they end up tying him up and stealing all his money, clothes, and identification. temptation, weakness, hopelessness, power, alcoholism.
CHAPTER 11: OUT OF FOCUS (Cyclops) ==> The father is tortured in a chamber by a one-eyed monster. the mother broke a lens on her glasses and she freaks out. the muslim is in bed with the prostitute and they are slowly falling in love. the senator is enjoying a birthday party for one of his daughters. the son, blindfolded, manages to get one eye out of the cover. vision, rainbow, the eye, the soul, falseness of reality
CHAPTER 12: RUDDERLESS (Nausikaa) ==> the muslim tells the prostitute that he has to continue on with his mission. the prostitute then tells the muslim that she can't stop having sex with men for money. they agree to that deal. the kid decides to return the briefcase to its rightful owner. hotel staff manages to help the son out from his bindings. but he has lost everything, including all his research and work in his laptop. labyrinth, focus, sharp, eye
CHAPTER 13: PENITENTIARY (Oxen of the sun) ==> the father is sentenced to death. he says goodbye to his pregnant wife. the son is angry and is tearing up the hotel room looking for his laptop. the muslim hears the prostitute having sex with another man as he walks through the motel. the street kid arrives at the senators front door steps and shows him the briefcase. black, destruction, pride, fist.
CHAPTER 14: BREAKTHROUGH (Circe) ==> the father is killed. the muslim prepares his bomb. the prostitute cleans up after sex. the street kid is given a small reward for turning in the briefcase. the senator smiles and celebrates his luck. the son discovers his fathers grave, and sees the senator cursing his father headstones. he marks his target. clouds. jealousy. blackness.
CHAPTER 15: NO SHELTER (Eumeus) ==> the son follows the senator to his house. he sneaks into the senators office, and discovers that the senator engineered the plot to murder his father. he notices that the senator's house is surrounded by his own militia. he manages to escape the house after being discovered. the son starts to piece things together. the muslim is walking in a crowded market, and is trying to find a place to detonate himself. the son collides with the muslim. the son notices the bomb. the son convinces the muslim to sell the bomb to him. the muslim goes back to the prostitute. red. shift.
CHAPTER 16: AFFIRMATION (Ithaca) ==> the son is in the leg by a bullet. he hobbles inside a shanty house. there he scribbles the name and address of the senator, and proceeds to fill the briefcase with all the money he has, he puts some newspapers in it to make it look like it is full of money. he is seen by the militia, he is shot to death, and falls into the sanitation dump. the muslim and the prostitute escape the city and move to the mountains. end. hope. persistence. yellow
CHAPTER 17: RESOLUTION (Penelope) ==> the bomb explodes in the senators house destroying everything. circle. completion. black
INSPIRATION ==> Magnolia, Ulysses (James Joyce), Bacolod City, Philippines, Amorres Perros, Victor Nebrida, Angry Anymore (Ani DiFranco), Charles Bukowski, Jack Kerouac, Odysseus (Homer), Socrates, Jose Rizal, Plato, Jurgen Habermas, Remembrances of Things Past (Marcel Proust), Moses (Coldplay), Spies (coldplay), Memento, Kind of blue (Miles Davis), Blue Train (John Coltrane), Ammunition (Morrissey),
<=== THE MADNESS HAS BEGUN: EXIT NOW!!!
this is all slowly coming together. nothing is set in stone. but the vision is there. the inspiration is there. now its just a matter of alcholism, focus, and fist-shaking imagination. I have no title yet, got a suggestion? leave me a f*cking note dingleberry!!!!